Though Toronto indie rocker Charles Spearin's Happiness Project is one the most touching explorations of humanity through sound in recent memory, he is not exploring a new idea – musicians and composers have long tried to replicate the beauty of the human voice and patterns of speech instrumentally. In particular, bowed stringed instruments have always been admired for their ability to mimic the human voice.In anticipation of our concerts this weekend and next, Philharmonia Baroque players David Wilson and Maria Caswell, as well as guest artist Jordi Savall, talk about the voice of early stringed orchestral instruments: Listen to our audio concert prelude.
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