A415

One of the volunteers who is helping us with our season ticket mailing mentioned this morning that Gonzalo Ruiz is featured in today's W...

Today, in the San Francisco Chronicle's "Props" column , Joshua Kosman profiled the harpsichord with a stage presence that can...

Recently, we've been asked more than once about our natural horns. So we have asked David Wilson to answer the below. (He adds the cavea...

Though Toronto indie rocker Charles Spearin's Happiness Project is one the most touching explorations of humanity through sound in rece...

So we now know about how Nic researched contemporary performances of Brahms' work and we also know a little about the instruments th...

We don't know if you saw it, but Jonathan Rhodes Lee wrote a great preview of February's concert on San Francisco Classical Voice ...

We are excited to post Music Director Nic McGegan 's first blog entry for A415 today! This is the first of a series of posts about ou...

Since the title of our blog is A-415, we felt that one of our first blog posts of the new year should again address the issue of pitch, esp...

Remember when David Wilson wrote about a how baroque violins were different from modern violins generally. Well, one of the fascinating ...

" The Passion of Dido ," Philharmonia Baroque Orchestra's third concert of its 2009-10 "Season of the Stars," is THI...

During the last concert set , David Wilson asked his colleagues in the violin and viola sections of Philharmonia Baroque the most important...

Last Tuesday, period violinist Libby Wallfisch , who was in town to lead our October concerts , journeyed out into the rain to the Fromm In...

Now that we have some idea how a baroque violin is built differently than a modern one , we've asked David Wilson to explain the dif...

Our October concert features period violinist Libby Wallfisch and, of course, the baroque violin . We asked violinist and PBO staff member...